I remember when Pulp Fiction came out in '94, a couple of months after the late Gene Siskel and Rober Ebert gave it two very enthusiastic "Thumbs-Up", they did something very unusual for them. They actually devoted an entire show to Pulp Fiction. To say they thought the movie was innovative and great is an understatement.
Here's a small postion of Ebert's review:
"Quentin Tarantino is the Jerry Lee Lewis of cinema, a pounding performer who doesn't care if he tears up the piano, as long as everybody is rocking. His new movie "Pulp Fiction" is a comedy about blood, guts, violence, strange sex, drugs, fixed fights, dead body disposal, leather freaks, and a wristwatch that makes a dark journey down through the generations.
Seeing this movie last May at the Cannes Film Festival, I knew it was either one of the year's best films, or one of the worst.
Tarantino is too gifted a filmmaker to make a boring movie, but he could possibly make a bad one: Like Edward D. Wood Jr., proclaimed the Worst Director of All Time, he's in love with every shot - intoxicated with the very act of making a movie. It's that very lack of caution and introspection that makes "Pulp Fiction" crackle like an ozone generator: Here's a director who's been let loose inside the toy store, and wants to play all night.
The screenplay, by Tarantino and Roger Avary, is so well-written in a scruffy, fanzine way that you want to rub noses in it - the noses of those zombie writers who take "screenwriting" classes that teach them the formulas for "hit films." Like "Citizen Kane," "Pulp Fiction" is constructed in such a nonlinear way that you could see it a dozen times and not be able to remember what comes next. It doubles back on itself, telling several interlocking stories about characters who inhabit a world of crime and intrigue, triple-crosses and loud desperation. The title is perfect. Like those old pulp mags named "Thrilling Wonder Stories" and "Official Detective," the movie creates a world where there are no normal people and no ordinary days - where breathless prose clatters down fire escapes and leaps into the dumpster of doom.
The movie resurrects not only an aging genre....
If the situations are inventive and original, so is the dialogue. A lot of movies these days use flat, functional speech: The characters say only enough to advance the plot. But the people in "Pulp Fiction" are in love with words for their own sake. The dialogue by Tarantino and Avary is off the wall sometimes, but that's the fun. It also means that the characters don't all sound the same: Travolta is laconic, Jackson is exact, Plummer and Roth are dopey lovey-doveys, Keitel uses the shorthand of the busy professional, Thurman learned how to be a moll by studying soap operas.
It is part of the folklore that Tarantino used to work as a clerk in a video store, and the inspiration for "Pulp Fiction" is old movies, not real life. The movie is like an excursion through the lurid images that lie wound up and trapped inside all those boxes on the Blockbuster shelves. Tarantino once described the old pulp mags as cheap, disposable entertainment that you could take to work with you, and roll up and stick in your back pocket. Yeah, and not be able to wait until lunch, so you could start reading them again."
If you want to read the entire review, just look up "Roger Ebert's Review of Pulp Fiction". I left out a lot of "good stuff".